Cinema ticketing software for Swedish cinemas

Swedish independents are well served at the counter and on the national portal. What bio.se cannot do, by design, is give you a brand of your own: it lists hundreds of cinemas side by side, so your programme sits one click away from everyone else's. Filmstaden, meanwhile, sells through its own apps to the same people you want to reach.

Filmgrail closes that gap. It reads films, sessions, seats and prices from your box office and writes each sale back, so bio.se, your gift cards and your reporting keep working, while your own site and app become the place your regulars book. Read MyCloudCinema alternatives, the MyCloudCinema integration, Veezi alternatives and Filmgrail vs Veezi. There is also a Swedish-language overview.

Bio Bristol in Sundbyberg is an association-run quality film cinema in a building that opened in 1939 and returned to full operation in 2020. It runs its website and ticketing on Filmgrail with no IT department behind it, which is the test that matters for most Swedish föreningsbiografer.

Across the border, Filmgrail is the platform of choice for Norwegian cinemas: Bergen Kino (18 halls), Trondheim Kino (19 halls, owned by the municipality) and Aurora Kino in northern Norway run their websites, native apps and ticketing on it, and so do BIFF and the Norwegian International Film Festival. Same Nordic audience habits, same kind of operator, same software.

Swedish admissions fell from 10.3 million to 9.8 million in 2025, while Norway and Denmark grew, according to UNIC figures in our European cinema statistics. In a shrinking market, the cinemas that hold their audience are the ones their regulars can reach in one tap. Filmstaden's 382 screens make it one of the largest brands inside AMC's Odeon Cinemas Group (see the largest cinema chains).

Swedish exhibitors meet at Sveriges Biografägareförbund's congress days in Stockholm, the Nordic Film Market at Göteborg Film Festival and Stockholm Industry Days; see cinema industry events for dates.

Pricing is published and flat: from $200 a year for a single screen to $20,000 a year for a large circuit, per screen, with no per-ticket fees (see pricing). A mid-size film festival pays about $5,000 a year. If we already integrate your box office and payment provider you can be live in a few weeks; a provider we have not connected before takes about a month.

See your own cinema on it before you talk to anyone: the free cinema website prototype builds a version of your site from its current address. Then book a demo against your real programme.