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Comparison

Filmgrail vs Ticketsolve: the film front end for Ticketsolve venues

For a venue whose audience comes for film, Filmgrail is the better front end: a film-first website, native apps, push and a fast checkout, running on top of Ticketsolve. Ticketsolve keeps your ticketing, box office and customer records as they are.

What each one is built around

Ticketsolve calls itself a live experience platform. It covers ticketing, box office, marketing, fundraising, CRM, data and insights, its own payments (TS Pay) and fraud protection (TS Protect), for theatres and multi-venue groups, arts and cultural centres, festivals, museums and galleries and visitor attractions across the UK and Ireland.

That is a platform built around the live arts organisation. Filmgrail is built around the film audience: the website, the native apps, the content behind them and the checkout. We read programme and seating from Ticketsolve and write the completed sale back. For Ticketsolve, online selling is one output of a ticketing platform. For us it is the entire product.

Who does what

TicketsolveFilmgrail
Ticketing and box officeYesNo — stays in Ticketsolve
CRM and fundraisingYesBehavioural audience profile on top
PaymentsTS PayYour payment provider, integrated
PricingAll-inclusive single cost; no figures published on its pricing pagePublished: $200 to $20,000 a year by screens, no per-ticket fees

Competitor facts checked on each vendor's own website (ticketsolve.com) on 26 September 2026. Vendors change their products and prices; confirm anything decision-critical with them directly.

Why film venues add Filmgrail to Ticketsolve

Built for how people choose a film. Film pages with trailers and context, a programme that changes weekly without a developer, and structured data that can rank for a film in your town.

Signals a transactional CRM never sees. Watchlists, ratings and what somebody browsed and did not buy happen before a transaction exists. Filmgrail captures them in the site and app and turns them into push and in-app campaigns. Across cinemas on Filmgrail, nine in ten end users create a profile, and the average yearly increase in digital ticket sales is 89%.

Ticketsolve stays whole. Every online sale is written back, so ticketing, customer records and reporting stay in one place. The Ticketsolve integration page explains how.

What putting Filmgrail on Ticketsolve involves

  • A short technical check. We confirm what your Ticketsolve set-up exposes and give you a straight answer on scope before anything is signed.
  • Your real programme on staging. Your films, seat maps, ticket types and price rules, reviewed on a staging site rather than a demo dataset.
  • Your URLs carried over. Old addresses are redirected, not dropped, so the search visibility you have built comes with you.
  • No change at the counter. Staff keep using Ticketsolve exactly as they do today. The online sale lands in the same reports.
  • Apps shortly after the site. Native iOS and Android apps run on the same CMS, so they follow the website rather than becoming a second project.

Why cinemas switch to Filmgrail

Filmgrail already runs cinemas and cultural venues that mix film with stage and events, from Vega Scene in Oslo and Rådhus-Teatret in Kongsvinger to Bergen Kino and Ster-Kinekor.

Pricing is published and scales by screens: from $200 a year for a single screen to $20,000 a year for a large circuit, flat per screen with no per-ticket fees (see pricing). The Ticketsolve integration is available on demand: we build it during onboarding, and you go live in about a month.

See it before you talk to anyone: the cinema website prototype tool builds a version of your own site from its current URL. Then book a demo against your real programme.

Answers

Frequently asked questions

Which is better, Filmgrail or Ticketsolve?

For ticketing, box office and CRM, Ticketsolve. For the website, apps and online sale of film, Filmgrail, which runs on top of Ticketsolve so you keep both.

Do we have to leave Ticketsolve to use Filmgrail?

No. Ticketing, customer records and reporting stay in Ticketsolve, and completed online orders are written back so your reporting stays whole.

How much does it cost to switch?

Filmgrail is priced by screens, from $200 a year for a single screen to $20,000 a year for a large circuit, with no per-ticket fees. Keeping Ticketsolve means no data migration and no box office retraining.

We are an arts venue rather than a cinema. Does that change the answer?

The more of your programme is film, the stronger the case, because film audiences judge your booking experience against streaming apps. Mixed venues such as Vega Scene run Filmgrail for exactly that reason.

Can we keep our domain and our search rankings?

Yes. Existing URLs are redirected rather than dropped, as part of the build.