What cinema websites actually run on
Nobody publishes which software cinemas use, so we measured it. In September 2026 we crawled 1,189 active cinema websites in 35 countries and recorded the ticketing system each one sends its customers to, whether it links to an app, and how well it is set up to be found.
In 35 countries, led by the US (507), Germany (249) and France (112).
A further 8% only link to a marketplace such as Fandango or Ticketmaster, and 38% show no ticketing link we could identify.
Apps remain rare outside the large circuits, even though most tickets are bought on a phone.
7% declare MovieTheater markup at all.
The ticketing systems cinemas link to
Number of the sites we crawled that link to each system's booking domain. The twelve most common are shown; the full list is in the table below.
Show the data as a table
| System | Sites |
|---|---|
| The Boxoffice Company (Webedia) | 158 |
| Kinoheld | 136 |
| Veezi | 100 |
| Cinetixx | 74 |
| AgileTix | 41 |
| Savoy Systems | 31 |
| Compeso | 23 |
| Internet Ticketing | 21 |
| Admit One | 17 |
| Tapos/Jacro | 17 |
| Filmbot | 17 |
| CINEsync | 11 |
Every ticketing system found
Sites linking to each system's booking domain on the homepage or a showtimes page. A site can link to more than one.
| System | Sites | Share of all sites |
|---|---|---|
| The Boxoffice Company (Webedia) | 158 | 13.3% |
| Kinoheld | 136 | 11.4% |
| Veezi | 100 | 8.4% |
| Cinetixx | 74 | 6.2% |
| AgileTix | 41 | 3.4% |
| Savoy Systems | 31 | 2.6% |
| Compeso | 23 | 1.9% |
| Internet Ticketing | 21 | 1.8% |
| Admit One | 17 | 1.4% |
| Tapos/Jacro | 17 | 1.4% |
| Filmbot | 17 | 1.4% |
| CINEsync | 11 | 0.9% |
| Filmgrail | 8 | 0.7% |
| MyCloudCinema | 6 | 0.5% |
| SimpleTix | 6 | 0.5% |
| Vista | 5 | 0.4% |
| Spektrix | 5 | 0.4% |
This sample leans towards independent and historic cinemas, because it is built from Wikidata; a national chain counts once however many screens it has. Treat the table as who serves independents, not as market share by screens.
Marketplaces cinemas link to
Show the data as a table
| Service | Sites |
|---|---|
| Movie Ticket (movietickets.com) | 41 |
| Ticketmaster | 37 |
| Etix | 19 |
| Eventbrite | 15 |
| Fandango | 12 |
Marketplaces and general event ticketing
| Service | Sites | Share of all sites |
|---|---|---|
| Movie Ticket (movietickets.com) | 41 | 3.4% |
| Ticketmaster | 37 | 3.1% |
| Etix | 19 | 1.6% |
| Eventbrite | 15 | 1.3% |
| Fandango | 12 | 1.0% |
These are ticket marketplaces or general event platforms linked from cinema sites — sometimes the main ticketing route, often only for live events or special screenings.
Every market has different leaders
| Country | Sites | Most common ticketing systems (sites) |
|---|---|---|
| United States | 507 | The Boxoffice Company (Webedia) (94), Veezi (78), AgileTix (39), Internet Ticketing (19) |
| Germany | 249 | Kinoheld (133), Cinetixx (71), Compeso (21), Ticket International (1) |
| France | 112 | The Boxoffice Company (Webedia) (58) |
| United Kingdom | 75 | Savoy Systems (31), Admit One (12), Tapos/Jacro (9), Spektrix (3) |
| Canada | 40 | Veezi (13), Eventive (1), SimpleTix (1), The Boxoffice Company (Webedia) (1) |
France's figure reflects sites built by Webedia, The Boxoffice Company's group. Brazilian cinemas mostly sell through a national marketplace we did not fingerprint, so Brazil is left out of this table.
How cinema websites are built and measured
Share of the 1,189 sites showing each feature on the pages we read.
Show the data as a table
| Value | |
|---|---|
| Mobile viewport set | 96% |
| Served over HTTPS | 92% |
| Google Analytics or Tag Manager | 48% |
| Any schema.org structured data | 39% |
| WordPress | 30% |
| Meta (Facebook) pixel | 14% |
| Links to an iOS or Android app | 7% |
| MovieTheater markup | 7% |
| Screening or event markup for showtimes | 4% |
What this means for a cinema
Most cinemas do not own their mobile channel. Only 7% of sites link to an app, which means the phone — where most tickets are bought — is served by a mobile website or a marketplace. That is the gap native cinema apps exist to close.
Almost nobody tells Google their showtimes. Only 4% of sites mark up screenings with structured data, which is the markup search engines use to show times directly in results. It is free to fix: our movie schema generator writes it, and getting your showtimes on Google explains the rest.
The ticketing market is national. The leading system in Germany barely appears in the UK, and the UK's leaders barely appear in the US. If you are comparing systems, compare the ones with a real installed base in your country — our cinema ticketing software comparison covers 21 of them.
How this was measured, and its limits
We took every cinema in Wikidata with an official website, removed social media and dead links, and visited the rest on 24 September 2026 with an identified crawler that respects robots.txt. A site counted as an active cinema only if it published showtimes or linked to a known cinema ticketing system — 1,189 did. On each we read the homepage and, where no ticketing link appeared there, up to two showtime pages, and recorded links to known booking domains, app store links, analytics tags and structured data. Only aggregate figures are published; no cinema is named.
The limits matter. Wikidata over-represents independent, historic and European cinemas and under-represents large chains, which appear once each. We detect a system only when a site links to its domain, so white-labelled booking on the cinema's own domain is missed and counted as none. And several national marketplaces are not fingerprinted. We will repeat the crawl and add sources over time.
Sources
Every figure on this page comes from one of these. Where two sources disagree, the disagreement is stated rather than averaged away.
- Filmgrail research, Crawl of 1,189 active cinema websites, 24 September 2026.
- Wikidata, Items that are an instance of movie theater (Q41253) with an official website. www.wikidata.org/wiki/Q41253.
Frequently asked questions
What ticketing software do most cinemas use?
It depends on the country. In our crawl of 1,189 cinema websites, the most common systems were The Boxoffice Company/Webedia in the US and France, Kinoheld and Cinetixx in Germany, Savoy Systems, Admit One and Tapos in the UK, and Veezi in the US and Canada.
How many cinemas have their own app?
In our sample, 7% of cinema websites linked to an iOS or Android app.
Do cinema websites use structured data for showtimes?
Rarely. Only 4% of the sites we crawled marked up screenings or events, and 7% declared MovieTheater markup.
What website platforms do cinemas use?
Among sites declaring a generator, WordPress was the most common, followed by Gatsby-built sites and Wix.
Using these figures
Quote them, chart them, put them in a deck or a board paper. No permission needed and no attribution required, though a link back to this page is appreciated and lets a reader check the working.
If a figure here looks wrong to you, it might be: sources in this industry revise, and some of them disagree with each other by more than you would expect. Tell us what you are seeing and we will correct the page and say that we did.
Other data on this site
Cinema industry statistics
Box office, admissions and exhibition figures for the global cinema industry, each with a named primary source and a…
EuropeEuropean cinema statistics
European box office and admissions for 2025, with the per-country detail UNIC publishes and what the spread between…
Industry dataLargest cinema chains
The world's biggest movie theater chains ranked by screens, with sites, countries and the filing or company source…
Industry dataGlobal box office
Worldwide cinema box office from 2015 to 2025, the 2026 forecast, and the latest full-year figures for the fifteen…
Original dataCinema scheduling benchmarks
How 140 independent cinemas actually scheduled one week: start times by hour, shows per day, first and last shows, and…
TrackerCinema closures and openings 2026
104 cinema closures, openings, reopenings and circuit deals in 2026 so far, each from a named news or company source.