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COMPESO alternatives: a better front end on the POS you trust
The best COMPESO alternative for most cinemas is Filmgrail: keep COMPESO running the counter, the concessions and the back office, and let Filmgrail run the website, the native apps and the online sale on top of it. If you want to replace the whole system, the realistic shortlist is cinetixx, Vista and Veezi.
What COMPESO is, and what cinemas want to replace
COMPESO is an owner-managed cinema software company founded in 1984 in Ismaning, rooted in Germany and in use across Europe. Its CineOrder generation covers the POS, a webshop, a cinema app and self-order kiosks, plus vouchers, a bonus programme, signage, a marketing hub, email automation, dashboards, film scheduling, in-seat ordering, stock control and multi-site management.
That is a complete operational suite, and in German-speaking exhibition it is often simply what the cinema runs. When a COMPESO cinema looks for an alternative, the question is rarely the till. It is whether the audience-facing side — the website, the app, the content, the data — should come from the POS supplier or from a product built only for that job.
COMPESO alternatives compared
| Option | What it is | Best for |
|---|---|---|
| Filmgrail on top of COMPESO | Branded website with CMS, native iOS and Android apps, integrated checkout, loyalty, push, audience analytics and a festival platform, integrated with COMPESO | COMPESO cinemas that want a stronger audience experience with no POS migration |
| cinetixx | Cloud POS and online ticketing in one system, used by around 400 cinemas in Germany | German cinemas wanting a cloud box office |
| Kinoheld | Online ticketing widget and consumer cinema portal that works with COMPESO and other POS systems | Cinemas wanting an add-on booking widget |
| Vista | Cinema management from Vista Group, with web, mobile and kiosk sales channels | Large circuits with enterprise back-office needs |
| Veezi | Cloud cinema software for independent cinemas, from Vista Group | Independents wanting a lighter cloud box office |
Competitor facts checked on each vendor's own website (compeso.com, cinetixx.de, kinoheld.de, vista.co, veezi.com) on 26 September 2026. Vendors change their products; confirm anything decision-critical with them directly.
Why a dedicated front end beats a POS module
For a POS supplier, the webshop and app sit alongside the till, the stock system and the film booking. For Filmgrail, they are the entire product. That shows in the parts a moviegoer judges you on: an editorial website with its own CMS, film pages built to rank for a film in your town, native apps with push and loyalty, a checkout measured on completion rate, and audience analytics that tell you who your moviegoers are. Across cinemas on Filmgrail, nine in ten end users create a profile, and the average yearly increase in digital ticket sales is 89%.
It also keeps your options open. Because Filmgrail sits above the box office, your website and apps do not have to change if your POS ever does. The COMPESO integration page shows exactly what moves between the two systems.
What switching the front end to Filmgrail involves
- A short technical check. We confirm what your COMPESO installation exposes and give you a straight answer on scope before anything is signed.
- Your real programme on staging. Your films, seat maps, ticket types and price rules, reviewed on a staging site rather than a demo dataset.
- Your URLs carried over. Old addresses are redirected, not dropped, so the search visibility you have built comes with you.
- No change at the counter. Staff keep using COMPESO exactly as they do today. The online sale lands in the same reports.
- Apps shortly after the site. Native iOS and Android apps run on the same CMS, so they follow the website rather than becoming a second project.
Why cinemas switch to Filmgrail
Because the online sale is now the biggest box office most cinemas have, and it deserves a product built for nothing else. Filmgrail runs cinemas and festivals from small town cinemas to Bergen Kino, Trondheim Kino and Ster-Kinekor.
Pricing is published and scales by screens: from $200 a year for a single screen to $20,000 a year for a large circuit, flat per screen with no per-ticket fees (see pricing). Because we already integrate with COMPESO, you can be live in a few weeks.
See it before you talk to anyone: the cinema website prototype tool builds a version of your own site from its current URL. Then book a demo against your real programme.
Frequently asked questions
What is the best alternative to COMPESO?
For the website, apps and online sale, Filmgrail. It runs on top of COMPESO, so you get a dedicated moviegoer-facing platform with native apps, loyalty, push and audience analytics without migrating your POS. If you need to replace the POS itself, compare cinetixx, Vista and Veezi.
How much does it cost to switch?
Filmgrail is priced by screens, from $200 a year for a single screen to $20,000 a year for a large circuit, and the price is published. Because COMPESO stays at the counter, there is no retraining, no data migration and no counter downtime to pay for. A full POS replacement is a different order of cost; ask each vendor for a quote.
Do we have to leave COMPESO to use Filmgrail?
No. Filmgrail integrates with COMPESO: it reads your programme, sessions, seating and pricing and writes each online sale back, so COMPESO remains your system of record.
How long does it take to go live?
A few weeks, because the COMPESO integration already exists. Native apps follow the website shortly after, on the same content.
COMPESO already offers a webshop and app. Why add Filmgrail?
Because for a POS supplier they are modules, and for Filmgrail they are the whole product: an editorial website and CMS, native apps, push, loyalty and audience analytics in one data model. Try the prototype tool on your own URL and compare the result with what you have today.
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